Sunday, 10 July 2016




Jack The Lad

The Greatest Escaper. 
                                                            




Long before Harry Houdini, a hundred-and-seventy-two years to be exact, a man called Jack Sheppard was picking locks and escaping from seemingly escape proof prisons. Jack, or 'Jack the lad' as he became known within his inner circle of associates was the real deal. His escapes were not meticulously planned side show acts, his escapology exploits were performed solely to elude the hangman's noose. 

Jack Sheppard had perplexed, befuddled and thoroughly annoyed the authorities for quite a while with his criminal activities. He had developed the ability to remove leg irons, squeeze through the smallest of gaps, able to pick locks with bent nails, scale roof tops and high walls. This young man had daring in abundance, he was fearless, highly intelligent with a never say die spirit.

Jack Sheppard was born in 1702 in Spitalfields in London. At the time this area was notorious for thieves, robbers, highwaymen and prostitutes. Infant mortality in London was high, Jack's mother, like many mothers at that time, had her child christened the day after he was born, fearing sudden death. Jack survived infancy, but times for the family were hard, and at the age of six he was sold into an apprenticeship for the princely sum of 20 shillings.

Jack's master had died soon after, and Jack was sent to a chair maker's workshop where he was ill treated by a cruel man. Jack, was thankfully thrown a lifeline and was given a job as a shop boy by William Kneebone, a draper with a small shop on the Strand. Jack's mother also worked there. Mr Kneebone was good to Jack and taught the boy how to read and write. He also secured a carpenter apprenticeship for Jack working with the appropriately named Mr Owen Wood.

At 20 Jack stood five feet four and was of a slender build, but he was strong and wiry. He was pale faced, with dark hair and eyes, a cheeky smile and quick witted. Jack had natural charm, and because of it became very popular in the taverns and inns of Covent Garden. His natural joviality and zest for life had secured him the nickname 'Jack the lad.'
Secretly Jack had disliked the mundane servitude of his current job for quite a while, and with only a short time left as an apprentice he began to err from the path of respectability. He became rebellious at work, and most evenings he could be found in the arms of prostitutes, and drinking heavily in the rough taverns of London.

Jack's local was The Black Lion tavern on Drury Lane. The pub was very popular with the apprentices in the area. Unfortunately, it was also one of the place's where the infamous Jonathan Wild ran his criminal empire from. Young Jack would be rubbing shoulders with thieves and murders such as Joseph 'Blue Skin' Blake.

Jack was befriended by Blake and was now also in a steady relationship with a prostitute called Elizabeth Lyon. Jack had decided, no doubt encouraged by his new found friends, to embark on a life of crime. Jack's first recorded arrest was in 1723. Jack, whilst still working as an apprentice, was out on an errand for his master and decided on a little shoplifting on the way home.  A pair of silver tea spoons had found their way into Jack's pocket.  There was no established police force in England, and private citizens formed themselves into ‘lawgiver gangs’ and certain individuals were called upon to apprehend criminals and policed the streets from 1674-1829. They were encouraged by the large rewards on offer, £40 was the going rate for the apprehension of thieves and murderers, the average wage for the less well off would be around £10 a year.

Jack was sent to the St Anne's Roundhouse in London after a spree of pickpocketing. The roundhouse was a small prison, and more of a holding centre for those suspected of criminal acts. While incarcerated, he decided he was now finished with his boring, safe life, and in August of 1723 he decided to leave his master and concentrate on being a career criminal. On the 5th February 1723 Tom Sheppard, Jack's older brother and convicted thief, and Elizabeth Lyon burgled a property and Tom was caught. Tom had a long rap sheet, and with the hangman's noose looming over him, he reluctantly informed on his brother to save his own skin.

A warrant was hastily issued for Jack's arrest. Jonathan Wild, known as the 'Thief Taker General', led a double life and was a magistrate, and simultaneously ran a vast criminal empire. Wild only recruited former convicted thieves and used them as informers. Once indoctrinated into his gang he could manipulate and blackmail them. As ex convicts they were not permitted to give evidence in a court of law. Wild was London's first gangland boss, and had built up a network of specialised gangs of burglars, pickpockets and informers. If you were a thief in London in the mid eighteenth century you had to fence your stolen goods through Wild, if not you would incur his wrath. Jack Sheppard decided not to work with Wild and fenced his ill gotten gains elsewhere.


It was widely known that Wild had a dislike for the young upstart, he hated Jack's popularity and his blatant disrespect for his authority.  Wild decided on a ruse to trap Jack, and in the process claim the reward money on offer. He instructed one of his men, James Sykes, to find Jack and ask him to meet for a game of skittles in a pub in Covent Garden.  The simple trap was set and as Jack walked in he was arrested and imprisoned on the top floor of the Roundhouse, oblivious to the nature of the circumstances. Sheppard took three hours to make his escape, he smashed through the ceiling of his cell and then got onto the roof, where he lowered himself to the ground using knotted bed sheets.

The previous escape was in April, and in May Jack was in trouble once again and arrested for pick pocketing. And found himself in a cell in St Anne's Roundhouse in Soho. His lover Elizabeth Lyon, AKA Edgeworth Bess, visited him the next day and was immediately recognised as one of his accomplices and promptly arrested. A few hours later they were both transported to the New Prison in Clerkenwell.  That night, from the same cell they hatched a plan of escape. A few days later the plan was executed and Jack slipped out of his irons, removed some bars from the window and the pair escaped using blankets tied together. They scaled a twenty foot perimeter wall and disappeared into the night.



Wild demanded that Jack and his gang only fence their goods through him, where he would then take the lion's share. Jack refused, and began to intensify his activities with Blueskin Blake. The pair hatched a plan to burgle the premises of Jack's former employer Mr Kneebone.  Blueskin and Sheppard fenced their items through a man called William Field, however, Field was secretly one of Wild's closest cronies. 


Wild had now made Sheppard his number one priority, he simply couldn't allow this kind of disrespect to continue, as it may give others the same idea.  Wild set off to find Elizabeth as he knew she would know where he was holed up. He plied Elizabeth with copious amounts of Brandy and while blind drunk she let slip Sheppard's whereabouts.

One of Wild's henchmen, Quilt Arnold, was waiting for him and the trap was set. Sheppard was sent to Newgate Prison on a charge of the burglary of Kneebones house, and was sentenced to death in August. The execution date for Jack Sheppard was set for the 31st September.
Jack decided that he was not going to keep the appointment. He spent all day secretly loosening an iron bar in the window of the door used for talking to visitors. Elizabeth and a friend, the unfortunately named Poll Maggott, distracted the guards long enough for him to slip the bar out of its housing, creating a gap. The second part of the plan was now put into action. Elizabeth had smuggled in a disguise, and, dressed as a woman Jack walked out of the prison gates.

At this point Jack decided that it might be wise to disappear for a while and visited some family members in Northampton. After a couple of weeks he became restless and bored, so he headed back to the streets of London. Disguised as a beggar, he broke into a pawnbrokers shop in Drury Lane.  He stole a black silk suit, some gold pocket watches, rings and a sword.  Dressed in the height of London fashion, he brazenly strolled around his old haunts buying drinks and the favours of prostitutes. It was, however a short lived hedonistic trip, the word soon reached the ears of Wild. Jack was found drunk and promptly arrested.

Jack Sheppard was sent to prison five times between 1723 and 1724 and escaped on four occasions. This time they were determined that he face justice. Jack was becoming a big problem for the authorities, making them a laughing stock. The famous author and journalist Daniel Defoe found him a fascinating character and took an interest in his case and wrote a detailed account about him. He was fast becoming a folk hero, the people simply loved his 'up yours darling' attitude toward the authorities. However, this time they were determined to make sure that Jack Sheppard was going to meet his maker on the due date. He was incarcerated in The Middle Stone Room of Newgate prison.  

He was monitored night and day and loaded down with three hundred pounds of iron weights. He had become so popular that the jailers began to charge a fee of four shillings to visitors wanting to see him. His portrait was painted by the Royal portrait artist James Thornhill, there was a petition sent to the King, which contained many prominent names, asking the King to have his sentence commuted. 

Apparently Jack always seemed cheerful during these visits from the public. Jack could have saved himself, and was repeatedly asked to inform on his associates in return for a stay of execution, he refused.  There was now no way he could avoid his date at the Tyburn tree. However, was there going to be one more sting in the tail and another embarrassment for the authorities?

In the condemned cell on the morning of his execution, Jack drew a penknife that he’d kept hidden in his clothing and tried to pick the locks of his leg irons, but he was discovered in the act.

On the morning of 16th November 1724 the route along Holborn and Oxford street was jam-packed with mourners, it is said that there were around 200,000 people. The prison cart stopped at the City of Oxford tavern along the way, and Jack was given a stiff drink or two.
At this stage it looked as if this really was the end of Jack The Lad.  However, unbelievably  there was one last eleventh hour attempt to save him. Sheppard's friends were waiting to implement their last ditched desperate rescue plan. This was going to be a long shot by any stretch of the imagination. 

In those day's deaths by hanging were induced by strangulation and not a broken neck. If you were a lightweight like Jack it would be a prolonged and painful death. But the theory was that due to the strangulation of the victim a doctor might be able to revive the person. If they could get Jack to a doctor quick enough, they may have a chance of the greatest escape of all. Speed was of the essence and they had to spirit the body away as soon as it was cut down. Jack was hung for the prescribed 15 minutes, as he was cut down the huge crowd surged forward and smothered his body. Jack’s friends simply couldn't get to him.



Jack Sheppard was buried in the churchyard of St Martin's-in-the-Fields that evening. I wonder if anyone has ever checked the contents of that coffin? 

Sunday, 19 June 2016








Dear reader, pray come follow me as I draw back the curtain of time, and eavesdrop upon a now forgotten race to reveal to thee the life and times of a most extraordinary fellow.

***

In late seventeenth century England the average life expectancy was around 35, even less for the poor. The population of England and Wales at that time was incredibly small, by today's standards, and was estimated to be between 5-6 million. Disease, debauchery and drunkenness was rife. Day to day living was so different from ours, so different in fact that it is almost impossible for us to comprehend. Imagine a world with no electricity for instance, street lamps hadn't been invented, basically after sunset everywhere became as black as hell.
Times were dreadfully hard and many poor families lived and worked on small plots of farmland. There were no schools for the poor. As soon as you reached the age of eight or nine you were sent out to work in the fields. Throughout the country many families were crammed into wooden huts consisting of 2 or 3 rooms.

Glass, for example, was tremendously expensive, and windows, for the less well off, had to be covered with a sheet of canvas soaked in linseed oil, and to have a chimney was a real luxury. It had only been a few years since people first began eating with knives and forks!  Your toilet was a bucket, and when full the usual manner of disposal of the contents was to throw it out of the window, firstly giving a suitable warning to those who may be passing by at the time.

If you were unlucky enough to fall ill, you would be at the mercy of someone who had virtually no real idea of human anatomy or medicine, due to this ignorance many had suffered at the hands of these primitive medicine men. There was no social services safety net, and no National Health Service.  If you were poor and ill you either got better or died.
The country had suffered a bloody civil war, 1642-1651 ending with the execution of King Charles 1 and the rise of the Parliamentarian. Plagues were still very much around, political radicalism and religious rebellion was on the rise, and the hunting and hanging of witches, though in decline, was still a popular pastime, contrary to popular belief witches were hanged and not burned, most of the time, the last witch was hanged in England in 1685.

However, 'the times they were a changing,'  and the world was being slowly shaped by visionaries and geniuses who began to push the boundaries of human intelligence to its limits, their works still remain unsurpassed to this day. Men like Sir Isaac Newton with his formulas on the laws of motion and gravity, and in 1687 his incredible work, Principia Mathmatica, was published. Newton's impact on the world was probably greater than any other scientist in history thus far. Nicholas Fatio de Duillier, a colleague of Newton said that he was 'frozen stiff' by Newton's genius."

The great philosopher and physician John Locke's 'theory of the mind' was published which challenged the concept of human consciousness. He states that we are born without any preconceived ideas, we start with a clean slate, and only gain knowledge through experience. This theory was radical at the time and contrary to the belief that we were born with hereditary notions.
The famous artist, and arguably the greatest satirist William Hogarth was at the height of his fame during this period.  Edmond Halley the famous English astronomer who studied reports of a comet approaching Earth in 1531, it appeared again in the same area of the night sky 1607 and 1682. He established that these sightings were actually the same comet returning from its endless elliptical orbit. The comet was then named after him. The genius and great architect Sir Christopher Wren unveils his astonishing building St Paul's Cathedral in 1710, which is still a wonder to behold.

England was on the cusp of becoming the most powerful country on earth and was building an Empire which would become the largest and most powerful in history.
Into this world, one cold February morning in 1684 in the village of Thame, Oxfordshire England one James Figg was born. James Figg became England's, and therefore the worlds, first boxing champion and in doing so became a household name throughout England and beyond.  Figg's early life is sketchy and not too much is known. However, It seems that young Figg's first experiences of fighting came via the local fairs where he would take part in bare-knuckle boxing matches, taking on veterans of the prize ring and beating all comers. This was where he learned the noble art that would eventually propel him to riches beyond his wildest dreams. In his teens he decided to leave Oxfordshire, and seek his fame and fortune in London, this is his story.

The regular bare-knuckle fights at the fairground boxing booths combined with the arduous farm work had forged Figg's body into a hard as rock fighting machine. He was by all accounts shaven headed with a muscular physique. At 20 James Figg stood six feet tall and he weighed in at 185 pounds. He was an expert with the sword, quarterstaff, cudgel and fists.
It was the journalist and sports writer Pierce Egan, who said of Figg, in his 1812 book 'Boxiana ', Figg was more indebted to strength and courage for his success in the battlefield than to the effects of genius.'
I think that was a little unfair as Figg was a quick learner and recognised as one of the first fighters to introduce a modicum of science to the manly art by using angles of attack and parrying methods, no doubt gleaned from his fencing experience.
The first mention of Figg fighting in London came from an advert placed in a publication called The Daily Courant in June 1713, which stated that he was being trained by Timothy Buck of Clare Market The Strand.
The training methods of eighteenth century fighters consisted mostly of wrestling, running, and walking great distances, some going up to 50 miles a day. Walking backwards was said to be a common practice as well.

The fighters tended to concentrate on building stamina as some bare-knuckle fights could exceed 50 rounds. And therefore could go on for hours, in some cases a fight would have to be resumed the next day as it became too dark to continue. The fisticuffs of the eighteenth century is nothing like the modern boxing of today. The fighters back then rarely punched to the face, they preferred to attack the soft areas like the side and back of the neck, the kidneys and the stomach. This would limit the damage to their hands. The hand is a delicate instrument made up of many small bones, which can become damaged beyond repair.  That's why boxers wear gloves to protect their hands. Their heads were shaven, which was to negate hair pulling, and the hard edges either side of the skull were used for butting.

Figg knew what it was like to be poor and surrounded by the well off members of society. Sometimes in life there comes a moment when everything can change, it's just a matter of recognising and seizing that moment. James Figg seemed to have had an instinctive sense of his own future. He had acquired the services and friendship of the aforementioned great artist William Hogarth, who designed a superb advertising flyer for the amphitheatre. The flyer is a splendid little work of art in its own right and reads:
'James Figg master of ye noble science of self defence on the right hand in Oxford Road near Adam and Eve Court teaches Gentlemen the use of the small backsword and the quarterstaff at home and abroad.'

Hogarth had put Figg on the map, and also in a number of his paintings and etchings. You can see Figg entering from the right in the famous etching by Hogarth called Southwark Fair. The picture is a depiction of life, shown in all its forms, in London. Some nobles are there, a famous actor and playwright Colly Cibber can be seen, and amongst the bawdy mayhem the rather strange, menacing figure of James Figg arrives on a black horse brandishing a backsword, and challenging all comers to join him for a belly-full in the ring at his amphitheatre. Figg would stand outside the entrance and cry out 'I'm jemmy Figg and I'll fight any man in England'.

He was a visionary and saw an opportunity to make something of himself, and with the help of some investors like the Earl of Peterborough he grasped the lightening rod of an idea and opened a huge 1,000 capacity amphitheatre in Marylebone Fields, which was situated north of Oxford Street in London. The place was known as 'Figg's Amphitheatre' and sometimes referred to as the Boarded House. This is where Figg would make his mark and forge a formidable reputation. In the 1720's Figg was at the height of his fame and handing out regular brutal beatings in front of large blood thirsty crowds.

The fights were held in a fenced off, raised wooden platform, the first round was fought with swords! Each fighter coming out to do battle wielding a backsword, a single edged razor sharp weapon. The combatants were bare chested when they fought, and Figgs torso is said to be 'covered in a lattice work of battle scars like spider webs.' The next round was a bare-knuckle boxing match which included grappling, gouging, kicking, wrestling, strangling, and throwing techniques.
The match concluded with cudgel fighting, the heavy wooden staffs were topped with a large nodule on the business end. Understandably, many fighters were forced to retire quite early in their careers due to the excessively cruel punishment of the old prize ring.

Throwing your opponent to the ground with a judo like throw called 'a cross buttock' was a technique that was frequently used. Many fights, careers and sometimes lives were ended this way as the opponents would often land on their heads. There were no soft canvas or sprung floors in those days, just rock hard floorboards. Figg's record is said to be between 270-300 fights. His only recorded loss was to a man called Ned Sutton a pipe maker from Graves End. Figg avenged the loss quite quickly and another match was hastily scheduled for the decider.

The popular poet John Byrom was ringside, and wrote an account of the fight soon after the event. His account was published in the Spectator and The London Journal. Here is an extract.
The match started with a round of backsword fighting during which Figg- after breaking his own sword with a stroke, so brutal it would have 'discarded' Suttons head had it not been deflected. Figg soon found himself wounded in the side, an injury that he discarded with 'sullen disdain' and smart-mouthed banter with the crowd.
Figg rallied in the next round and after an exchange of blows with cudgels Sutton's knee was shattered which ended the bout and set the record straight for good this time.

***

Boxing and fencing were not the only entertainment on offer at Figgs amphitheatre. Dog fights and bear baiting were regular occurrences, one account taken from a newspaper at the time describes 'a pack of dogs being set upon a bull which was painted green and covered in large fireworks. The crowd had taken great delight as one of the dogs was said to explode!  Women fighters were also very popular and drew huge crowds. Figg, now a part time promoter, acquired a top woman fighter to his stable, the formidable Mrs Stokes, who was known as the 'Invincible Championess.'

Figg, the ever evolving entrepreneur, did not make the mistake of some past and present boxing champions and knew that he couldn't go on fighting forever. And so as he got a little older he was seen less frequently in the ring and eventually decided on a teaching career.  Clearly Figg must have made an impression on people, and not just with his fists, royalty and the great and the good could regularly be seen under his instruction in the manly art of self defence at his amphitheatre. A number of good fighters were persuaded to train at his amphitheatre as well, where he promptly took over their affairs. Jack Broughton was arguably the best fighter to come out of Figg's training camp. 

So the hands that once smashed faces and bashed in skulls were now being used to count the takings instead. James Figg retired from the prize ring in 1730 and then relied on his stable of fighters to provide the pugilistic entertainment. He went on to train gentlemen and nobles in the manly art up until his death on 7th December 1734. He died at his home in London aged 50, leaving a wife and several children behind. James Figg was buried at the Old Parish Church of Saint Marylebone in London, the cemetery was bombed during the Second World War and most of it was demolished in 1949.  However a small part of the cemetery was saved. A plaque on the wall of the little courtyard denotes some of the famous people that had been buried there, including one James Figg. He was inducted into the International Boxing Hall of Fame in 1992. A blue plaque was unveiled at The James Figg Pub (formerly The Greyhound Inn), in his honour at his home town of Thame.

Figg was boxing’s first heavyweight champion, and paved the way for others to follow.  He was the first to really embrace the manly art and bring it out of obscurity and turn it into a business, in doing so he left the boxing world a legacy that is thriving to this day.



Tuesday, 22 December 2015



                       Safety tips when using an ATM.


I'll start with an obvious but very important tip, and that is to use the ATM's that are located inside a bank or building society, withdraw all you need in one visit.


Awareness.

When approaching an ATM have a good look around and maintain your awareness while withdrawing your money. Be wary of people trying to help you at an ATM. 

Be aware of anyone sitting in parked cars or hanging around nearby. Try to find ATM's that are situated in well-lit busy areas. Quickly check the cash machine over before using.
Many ATM criminals put false fronts over the card slot to skim, your details.  If anything looks stuck on or dodgy,  it probably is. So steer clear and call the police.

Avoid using an ATM when you've been drinking. 

Try to withdraw all the cash you need at the beginning of your evening out, rather than halfway through a pub crawl. Alcohol clouds your judgement and makes you less inclined to spot a dodgy cash machine or notice suspicious characters hanging around.

Alcohol consumption can also make you more trusting of any 'helpful' strangers (muggers) who will be on the look out for victims that have had too much to drink.

Do you need to use an ATM in the street?  
Many places such as bars and shops have ATM's. 

Monday, 7 December 2015

Be smart be safe!

www.billcarsoncrimenoir.com




Common  sense/self-defence tips for  women.

As the party season draws ever nearer I thought it might be an idea to share a few safety tips with you all.  At around this time last year I tweeted a number of safety tips for women.  After having received some very positive responses about those tweets I have decided to put them out again this year. This time I have compiled them into a list so that you can cut, paste, copy and keep.  They are in no particular order of preference as I believe each one holds equal status of importance.
    These concepts are pretty much what you already know, however it doesn't hurt to have a little reminder, especially now that the Christmas and New Year celebrations are rapidly approaching.  I don’t want you to get paranoid I just want you to think a little differently when you girls are out and about.


OUT AND ABOUT. 

When you are out walking alone walk briskly, keep your head up and look around in a confident manner and keep your body erect as you are walking. Most street robberies will be perpetrated against people who look like suitable victims, your body language can give you away, for example being hunched over and moving slowly with your head down looking at the pavement.  Muggers will be looking out for these signs, so don’t make yourself look like a victim, switch on as soon as you close that front door and stride out with confidence and purpose.
  •      Always go out with a crowd, you are far less likely to be attacked when in a group. People who are out and about on their own make the easiest targets for muggers.
  •      When out walking alone take the occasional glance over your shoulder to see if there is anyone behind you, if your gut instinct tells you something is wrong cross the street or go into a house that has its lights on and knock on the door.
  •      If you have to walk down a side street alone at night try to keep away from dark doorways and entrances to alleyways, stay to the edge of the kerb/sidewalk.
  •      If a car were to suddenly pull up beside you when out walking alone, never ever go over to it, do not speak to the occupants, increase your walking speed and keep moving. If necessary find a public place and call the police.
  •      When out walking alone face the traffic flow if possible.  If someone were to try and force you into the car run across to the other side of the road this will make it difficult to turn the car around to come after you. Run as quickly as you can and find the nearest public place and again call the police.
  •       If you are coming home alone late at night to an empty house take a moment to look for obvious signs of a break in, if you do notice something suspicious do not enter the property, back off and go to a friend’s house if possible and phone the police immediately.




CLUBBING

  •      It is in my opinion best not to accept drinks from strangers, and it’s also a good idea not to leave your drink unattended. It’s better to buy your own drinks that way you know what you’re drinking and how it should taste. It’s worth remembering that the drug most commonly used to spike drinks is in fact alcohol.
  •      If drinking from a bottle a simple and effective technique to combat drink spiking is to put the tip of your thumb over the top of the bottle.  If drinking from a glass and you become suspicious just keep your hand over it.  It’s also a good idea not to drink something you didn't open or see being opened or poured out by the bar staff.
  •      If you’re in a bar and feel light-headed, dizzy or that you are about to throw up ask someone you trust for help. If you’re alone tell the bar staff or the bouncer, don’t be afraid to approach the bouncer’s that’s what they are there for.  
  •      If you’re alone or waiting for a friend in a bar and someone you don’t know is becoming a little creepier than usual make an excuse and go to the ladies toilets and use your phone to call your friends to come and rescue you.
  •      Always make sure you are picked up by a licensed cab that you have ordered. When ordering a cab make sure you are not overheard by strangers, someone could be listening in to your conversation and obtain your name and address.
   
Be smart be safe!
Bill.


Please feel free to drop me a line, if you would like some more self defence advice just leave your email address at the top of the page and I’ll get back to you. 

If you want to find out more about self defence check out www.billcarsonbooks.com

Thursday, 13 August 2015

1st chapter DARK CITY




 DARK CITY
OUT NOW ON KINDLE 





Introduction.

"I used to be a murder squad detective, and a damned good one at that until I told them where they could shove it. It’s a long story. Now, I’m an inquiry agent, or what some people might call a private detective. I like to gamble and have the occasional drink. I'm old school, and I put my trust in my gut instincts and my brass knuckles." Nick Harland.

Preface.

Charles Thorpe languidly strolled down the sunlit high street. He stopped at a bookshop and studied his pale, gaunt features in the reflection of the highly polished window.

He suddenly froze like a statue. His eyes widened as his gaze was drawn to a pretty young blonde girl in a short skirt, and a tight red T-shirt. His shameless stare enveloped her as she went by. His eyelids began to flicker as if in the midst of a convulsion, his eyeballs rolling back in their sunken sockets. Her aroma lingered on the warm, summer air, the fleeting moment had stirred something deep within him. He tilted his head back and his entire body tingled as he drank in her fresh, exquisite fragrance. He opened his eyes and savoured the last molecules of the sweet perfume of her youth. His jaw tightened and his pale lips drew back, revealing a set of coffee coloured teeth. He stood stock still and concentrated his gaze on the undulating cheeks of her pert backside.

'Satan is with thee, my child,' said the little voice inside his head.
Thorpe had served seventeen years for the murders of two young women, and in the eyes of the law the slate had now been wiped clean. His debt to society had been paid in full. The murderer was now out, and free to walk the streets once more. 'A reformed character and a model prisoner,' the Parole Board had said. Charles Edward Thorpe, A.K.A the Fallen Angel had fooled them good this time. As for his victims, they are but a distant memory, faded photos on dusty mantelpieces.
             
             
Chapter 1


It was two o'clock in the morning and the air was thick, still and warm, and it was far too hot to even try to think about sleep. Through the opaque window of the Harland Detective Agency a dim yellow light burned. Inside, Nick Harland was sitting at his desk, deep in thought.

Me, a father? I can't seem to get my head around it, it feels so weird Nick thought. He was puzzled by the fact that he didn't seem to feel the same way everyone else did about the forthcoming happy event. He reached for the bottle of Bourbon on his desk, filled the shot glass to the brim, drank it, and drew on his cigarette. He eased back in the chair, and became lost in thought once more. His face was black and invisible now it was covered by the shadows. The tiny red tip of the cigarette glowed as he sucked the warm nicotine out of it. He aimed a long funnel of blue smoke at the ceiling, ran his fingers through his unkempt and damp hair and watched the small oscillating desk fan make strange shapes out of his cigarette smoke. 

A photo of a pretty young girl in a red dress lay on his desk. The picture had been taken two years ago at the girls twenty-first birthday party. Her smiling eyes seemed to reach out to him. He leant forward, picked the photo up and began to study the beautiful face.
Missing persons, I hate these cases. It’s been a week now, so it'll now be a murder hunt for sure. She’s dead, I know it, and the last thing her family will want to see is a bill from me for my failed services he thought as he glanced at the invoice he'd just typed out.

"Where are you Sally? Come on, give me something to go on, God damn it" he said, asking the question as if in direct conversation with her. Nick stubbed out his cigarette and strolled over to the front door. He opened it and sucked in a long deep breath. A booming rumble of thunder came rolling in from the North, sounding like some colossal locomotive at full speed. Sheets of heavy rain turned the pavement into a black mirror within seconds. He stepped into the deserted street, turned his face skyward and gratefully accepted the downpour. He went back inside and took another shot of bourbon and opened the desk drawer. He swept his Colt 45, brass knuckles and car keys from the top of his desk into it and slammed it shut. 

His damp shirt did its best to cling on to him as he wrestled out of it. He threw it over the back of the chair, switched out the lamp and slumped onto his comfy old sofa. He laid back and stared into the darkness. Listening to the hum of the little desk fan and the rumbling sky, he thought about Sally Fenton.
***

Nick woke to the warble of the phone. He threw his arm out and grabbed the handset. The call was from Detective Inspector Fleming. He told Nick that the body of a young woman fitting the description of Sally Fenton had just been discovered in West London.

The crime scene was ten miles from Nick's office and he arrived at the location within the hour. Nick pulled off the Great West Road and took a sharp left. As he turned the corner, he drove into the kind of neighbourhood that had you looking over your shoulder. The area was run down, and even at the height of a bright summer morning the place seemed to be a few shades darker than it should have been. 

Up ahead, he could see the shiny ribbons of crime scene tape stretched across the road. He pulled over, switched off the engine and had a smoke. Even before he'd seen the body he was already thinking about how he was going to break the news to Sally Fenton’s mother.

Nick approached the first line of crime scene tape and was handed some CPE shoe covers by the police officer on duty outside the door of the disused factory. Nick ducked under the tape and it felt like a dozen cockroaches had just scuttled up and down his spine. It always felt like that with murder cases; no matter how many times he'd dealt with them, he always felt the same way - sick to his stomach. But even more so with this one. He entered the gloomy corridor of the disused factory. 

It was semi dark inside and he had to play hopscotch with puddles of stagnant water. The shaft of light from the open doorway twenty feet away told him where he needed to be.

As he entered the room, the powerful spotlights erected by the crime scene team blazed down upon a slim, naked, pure white body of a young woman who was laid out on the cold concrete floor of the old workshop. Nick said nothing as he simply stood and surveyed the room. He crouched over the body and studied the burst blood vessels and purple spots on her once unblemished, attractive face. Such a great looking girl, and now. It's hard to believe it’s the same person, Nick thought as he lifted the page of the Bible that had been covering her face. He drew back her eyelids and the tiny pinpricks of red in the sclera of her eyes told him what he already knew. He cast his eye over her protruding tongue and stared into her bulging, bloodshot eyes. 'Strangled,' he whispered.

The girl’s delicate alabaster-like hands had been deliberately placed at her sides. Her hair had been brushed back and she was lying flat on her back with her legs together. His eyes moved slowly over the body and he took note of the two burned-out black candles. One was at her head and the other at her feet. The photo of her on his desk flashed into his mind.

"Morning Nick, she’s been unofficially identified, and it is Sally Fenton," Fleming said matter of factly as he pointed to a neatly folded pile of clothes in the corner. Her small black purse was on top, and on top of that was her credit card.
"Yeah, that’s her alright, poor kid," Nick said.

He moved in a little closer to examine the ligature marks around her slender white throat and then glanced at the candles once more. What is this, some kind of sick ritual? he thought.

"The killer used a thin cord, or wire cable perhaps?" Nick said and continued to study the marks around her throat.
"According to the doctor, the temperature of the body indicated that she was killed at around three this morning," Inspector Fleming said.
Nick got up, brushed the grime from his hands and went outside for a smoke, his tenth this morning. He took a huge draw on the cigarette and slowly released the smoke through his nostrils as he thought about the girls' parents.
Strangled eh?  That page from the Bible’s a bit weird, and why nail the thing to her forehead? I hope that was done post-mortem, haven't seen anything like this for a while,he thought as he jotted down the details in his notebook.

You look dog rough, mate," Inspector Fleming said as he placed his hand on Nick's shoulder.

"Yeah, I couldn't sleep last night, and you ain't no oil painting either," Nick said, noting the two, fat, slug-like bags under Fleming's eyes.

"You fancy a breakfast, Nick? There’s a little cafĂ© just up the road. You can get a couple of fried eggs, a greasy slab of bacon, a lump of slimy black pudding and a cup of lukewarm tea for two ninety-nine. Fleming said, noting the indications on Nick’s face of a possible hangover.

"No, I'm alright thanks, I think I'll give that a miss. Have you informed the next of kin, yet?" Nick said as he ripped off his shoe covers.

"No, not yet, I was thinking that seeing as you are working for the family directly, it might be better coming from you? And we do need an official identification of the body as well if you could swing it." Fleming said.

"Okay, leave it with me, I'll see you around," Nick said as he flicked his cigarette stub into the gutter and climbed into his black Ford Mondeo. He gently bumped the car off the pavement and drove slowly away. He kept his foot off of the accelerator and wasn't in a hurry to deliver the bad news.


DARK CITY is now available on kindle  




Wednesday, 15 July 2015


"How do you write a good page turner?"

Read the first chapter of my latest crime thriller DARK CITY 

www.billcarsonbooks.com

Recently I was asked a question.

"How do you write a good page turner?"

I thought about it for a while and is was my response.

How I write:  

Lots of people have a story to tell and its how it is told that makes the difference. For writing to be effective you must be able to understand the basic elements of storytelling. There are many fundamentals that make up a good intriguing story or page turner. 
    
    I would consider my crime thrillers to be what is sometimes referred to as hard-boiled or crime noir.  I must confess I do favour narratives about good people who do bad things for good reasons. My stories are full of action and intrigue, I don’t just want the story to flow I want it to surge.  I write about characters that are tough and quirky, carefree, exciting, loving, loyal, larger than life and dangerous.  I like to write about the power of one and people who are up against the odds but carry on no matter what the cost.  I  write about people who are right at the end of their tether, and then I drop them in the deep end to see how they survive, if at all.  I try to make the good characters likable and of course the opposite applies to the villains, I make them utterly detestable creatures.

The basic ingredients for writing a story:

Points of view, setting and dialogue.
    
    Before you start your story you must make sure you know who is going to tell it. Simply put the first person narrative is when one of the main characters tells the story. The reader is ‘with’ the same person all through the book. The third person point of view is when both the writer and the reader know what is going on. The third person narrative can put one character on the stage all the time or there can be multiple view points, the action moves along from person to person. Third person point of view can be all knowing, the narrator knows everything that is going on in the characters minds and therefore can reveal these thoughts to the reader. By using breaks between the scenes and new chapters I can jump from one character to the other. I’m mindful not have too many characters telling the story as this can be confusing for the reader so I set a limit.
Setting:
    
    For me, it is essential that the description of the setting that the character or event is taking place in, must be described in detail in order to convey the right atmosphere. I must admit that I’m guilty of over doing this aspect on occasion, and I have to remember to reign myself in.  I start with the basics, and embellish the scene until it feels right. 

Basic points to remember: Is the scene taking place inside or outside?  The elements are always important for conveying mood.  Is it busy outside are there traffic jams are people rushing around? What time of day is it?  Is it hot or cold outside etc? The sights, sounds, smells and colours of the world around your character must be described in succinct detail.  I try to paint the picture for the reader and then lead them into it.

Setting: extracts are from Necessary Evils:
1.       As he stepped outside a gigantic flash of lightning lit up the entire street, followed a split second later by a terrific detonation of thunder that shook the ground; he stood for a moment and gazed up in wonder as the battle raged amid the dark clouds. 

Where is he going what does the scene convey to the reader? There is great drama building here.

2.       He pulled the warm quilt over his head, curled into a ball, and tuned his ear to the sounds of the world outside, a despondent yelp of a dog, a rumble of thunder, the wail of a police siren.
    
Why is he hiding under the quilt? What has done? Where has he been? Are you hooked, do you want to read more do you feel the need to turn that page to find out what’s happened here and why?
Dialogue.
    Dialogue is quicker to read and therefore moves the reader faster through the story. Dialogue defines the character.  I must confess that I do tend to use a good dose of colourful language in my dialogue, but for me, with the type of characters that are in my books, it would be strange not to have the odd curse or swear word in there somewhere.
    Dialogue makes the distinction between characters, by the way they speak to each other.  I keep it real, and just like an everyday conversation the sentences are kept relatively short.
    
Writing is an art form, a craft which takes a long time to perfect. The more you do it the better you become, for me it’s a slow process full of pitfalls and hurdles to overcome and can be a tremendously frustrating undertaking at times. However, to have a book that you have lost sleep over and have spent a year or two writing sitting in the palm of your hand, is a truly extraordinary experience. 

Warm regards from your humble narrator, and best of luck with your writing endeavors, 

Bill.






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Amazon links

Friday, 22 May 2015



DARK CITY

The new thriller by Bill Carson

www.billcarsoncrimenoir.com

DARK CITY
Crime thriller
Bill Carson

Greetings thrill seekers, epiphany is upon you, your journey has begun, enlightenment awaits.

The manuscript is now with my editor, so it won't be long now. Here's a sneaky peek at the cover.






It’s taken a while, but I am pleased to say that I am in a position to announce that I am in the final stages of completion of my new crime thriller, which is entitled Dark City. In this one we follow private investigator Nick Harland on his most perplexing and disturbing case to date as he tracks down a killer from the past.
This book has a rather complex plot and has lots of misleading clues and unexpected twists that are sure to keep you entertained well into the night. And that’s why it has taken me a little longer to write it. 

The book is full of strange characters and there is a sense of danger lurking at each turn of the page. The story has a paranormal thread woven through it, and we meet Mr Marker who is a real odd ball psychic who Nick employs to help him find a serial killer. And so this book will also appeal to fans of the paranormal genre. There’s plenty of action in this one too, as would be expected. Also in this book for the first time I offer a glimpse inside the mind of Nick Harland,  and we delve deeper into his mindset as the plot unfolds. And in doing so, we are asked to pass judgement on him, is he the good guy or one of the bad guys? The ending is cataclysmic but things are not quite what they seem, nothing is clear cut in this story and just when you think its over, it's not.

I think it's safe to say that you will have read nothing like it before, it is a very strange, absorbing and slightly disturbing, but nonetheless thrilling story.  If you have read Never Say Die you will have been intrigued with the way that book ended.  On the last page of Never Say Die, which is the prequel to Dark City, we are briefly introduced to a rather disturbing character called Charles Thorpe.  Thorpe is an ex Catholic priest who has just been released from prison after serving seventeen years for murder.  

I’ll say no more than that for now. 

I’ll keep you posted.

Thanks for dropping by,


Bill.


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